Welcome to AAMS, the introduction towards Automatic Audio Mastering! Get your music to sound good without a hassle with AAMS V4! As a musician or engineer working on music, you need the best sound possible when releasing material to the public. To audio master a mix towards a professional commercial quality recording and to create a sound for all audio speaker systems is a difficult and time consuming task. This is where AAMS steps in and takes control! Process any kind of music or audio, process your own music or mixes. AAMS is windows software for Fully Automatic Audio Mastering. Featuring 100 Band Equalizer, 8 Multiband Tube Compression, Balancing and Loudness settings for internal DSP Processing with all audio corrections automaticly done purely inside the AAMS Program. Now you can listen to what you expect! Create your own sound and be in full control with AAMS V4 Professional Version!
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I am a first user of AAMS V2.0 when it came out, that is a few years ago.
Since then i use this good tool on and off. Mostly for mastering purposes.
Sometimes i like to fiddle around and listen mixes for pre-mastering, just to hear what can be better.
AAMS allways will point out where to go and where the sound sits / gets better.
Mostly this is EQ L+R based, where i was years go suppriced with results of AAMS.
Still i am managing between manual EQ and AAMS DSP-EQ, trusting my ears was before AAMS my thingy.
But now, i know AAMS can point out differences and i can hear them, i would never find out.
So really in all 5 years or so, AAMS got way better and has taken over some or most part of the finding out parts now.
It is a workhorse and makes me more concentrated on the sound of mixing, instead of worrying how my mix would sound as mastered.
So i give AAMS the thrust now, because to me AAMS has proven itself.
I am new to AAMS V3, but most parts are still the same.
Something is better, the sound got increased to again a step better.
But i have to see what is new, (user styles tweaking> intresting?!).

Keep up the good work Denis.

Michael Atkins

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